By Ayo
This is a one-hour digital painting by Frazer Irving. I’ll say it again. Frazer Irving made this image in one hour. Your argument is invalid.
frazerirving.tumblr.com
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Ben Oliver’s work from Ultimate X-Men #75. This version of the character Cable is so good that it retroactively validates the early 1990s.
xoxoxoxoxoxo
I’ve been giving some thought to solitude and its many faces in visual storytelling. Films and comics, for today’s purposes, can be referred to interchangeably.
Domino and Wolverine have sex and steal millions of dollars in this three issue miniseries.
I was chatting with Liz about it the other day and the subject of Alan Moore came up. She asked me what I responded to so strongly in his work. Here’s an very-much-extended version of what I said to her.
After I had talked about sound effects last week, my mind kept racing back to one example. By the time my train of thought had gotten around to typography in comics, seemingly there’s no one who does it better than Joe Lambert.
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Recently I got around to reading an issue of Static Shock I have lying around, and just watched 2001: A Space Odyssey at the Cinematheque. These two things combined led me to think about how much I love the comics of John Paul Leon. Naturally.
comixcube.com 