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Eyes spiraling

22 May

By Ayo

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“The Prime of Miss Emma Frost”
NEW X MEN, no. 138
May, 2003
Grant Morrison & Frank Quitely
Marvel Entertainment, May 2003

Frank Quitely, the best superhero cartoonist in the world. Ten years ago, he redesigned the X-Men and made drew some brilliant scenes in the series NEW X MEN. Above is the introductory scene from his final issue on the series, “The Prime of Miss Emma Frost.”

Quitely’s panels tend to move in two directions at once: one-point-perspective, pushing our depth view straight back and straight across our field of vision from left-to-right. The result is a dizzying sense of motion and an immersive sense of space and movement.

My favorite panel above is where Beast (blue guy) has rescued the car passengers and turns to see the flaming guy (Hermann) continue to run down the road. There’s so many different things happening in that panel and all of those things are moving or defined by their lack of moving. Beast and the passengers are still but a raising smoke and dust cloud from Hermann who continues to race away gives the right-hand side of the panel some movement. So as the eye travels from left to right, we see a still scene which gives way to a motion scene. All in the same panel. It’s brilliant.

The panel in which Cyclops skids the car in front of the gas station is also brilliant. It gives me the chills, it’s so good. We read from left to right but the car is moving from our right to left, and it’s trail of telltale motion signs (exhaust fumes, tail light distortion) points away from our reading orientation. These competing stimuli make us read that particular panel both backwards and forwards at the same time. It’s magnificent.

“The Prime of Miss Emma Frost” can be found in volume 4 of NEW X MEN, Riot at Xavier’s.

@darrylayo

Classroom in the sky

21 Jul
By Darryl Ayo

“Thunderjet,” 1952. Written by Harvey Kurtzman and drawn by Alex Toth for FRONTLINE COMBAT #8.

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Oh Lawd

20 Jul

By Darryl Ayo

“Abe Lincoln,” 1952. Written by Harvey Kurtzman, drawn by Jack Davis for FRONTLINE COMBAT #9.

When I say that EC Comics tended to write in a fashion that was highly cliche by this point, I wasn’t kidding. For instance, Spoiler:

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The small things that change

19 Jul
By Darryl Ayo

“Ace,” 1952 written by Harvey Kurtzman, drawn by John Severin for FRONTLINE COMBAT #6

Every now and every then, I remember that the perfect North American comic books are the 1950s EC Comics. MAD was the best, but EC’s line included a lot of wonderful specimens of comic bookery.

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