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Chicago Zine Fest 2012

29 Mar
by Kevin Czap

Chicago Zine Fest 2012

Aloha my dear friends. It’s convention season again, which as far as this year is looking, basically means from now until 2013 I will be going to comics shows. I did miss the excitement in the two months I had off. One of the goals I had made for myself last year was to expand the range of shows I exhibited at, with a focus on the more indie-aimed shows. So in this spirit, the first show of the year is the Chicago Zine Fest, an amazing exhibition celebrating the aspects of this game that mean the most to me – self publishing and Doing It Yourself.

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Digestion

6 Jan
By Darryl Ayo

Your influences will pass through you like roughage. Whether you’re a novice artist or a wizened veteran, you will become absorbed in the work of somebody else and occasionally you may fear that this influence is having too strong an effect on your thinking. There is no need to cut yourself off from it, however. Drink deeply of the well of inspiration and it will pass.

Indulge yourself. Allow yourself to go through phases. They will pass. When the mood leaves you, what is left will be the traces of influence. In this way, you will advance your craft and your understanding of your medium.

Eventually, it all becomes a part of the matrix of ideas and thoughts that comprise you. So you will be able to embrace it all at once: personal identity as well as the building blocks which helped create you.

Influences and Process — The Books, Automatism, and the Infinite Everything

19 Dec
by L. Nichols

Disclaimer: I have a cold. I am feeling a little loopy and am only functioning at about 80%. Bear with me as I try to talk about things that even at 100% I am not good at talking about.

Behold the finite set of thirteen convex figures. The irrational sine versus tangent 45. – The Books, Beautiful People

With lyrics like that, I guess it might not be such a surprise that The Books are one of my favorite bands.

The Books are one of the few bands I can get completely lost in listening to. I love to put on my headphones, pick one of their albums and just go for a walk. Or I will put on their music when I am working, particularly when I am painting. For years now, this has been the case. The Books are music I live with when I am alone, when I am with my thoughts and with my work.

Every time I listen to them, I find new things. I find new sounds. I find new thoughts. With their constant presence in my life The Books have shaped my thoughts over the years.

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Origin Story.

2 Dec
By Darryl Ayo

According to my calculations, I read my first comic in the summer of 1987. The Sunday newspaper was laying flat on the radiator in the kitchen and my mother stood over my shoulder and read this aloud with voices:

Thanks mom!

I was born in 1981. So for many people my age, I was just about Calvin’s age when Bill Watterson started Calvin and Hobbes in 1986. And like many people my age, I fought back nostalgic sniffles on December 31, 1995 when Calvin and Hobbes took their final sled ride.

I haven’t seen the above strip in years, friends. Today (Thursday, December 1st 2011), I finally discovered which volume  of the black-and-white collections that this particular strip was compiled in and I promptly purchased that book. Whenever possible, I think we all owe it to ourselves to look our origins right in the face. Everything I’ve worked for, everything I’ve been striving to do all my life stems from this strip–and moreover, stems from the direct memory of my mother showing me something that she thought was really cool.

A lot of people don’t really understand my need to talk about and discuss comics. Since comics are printed literature, many would prefer to read and absorb the work privately. For me, the discovery of comics was very tied in with the idea of a shared experience and even performance (since my mother loves to read things dramatically). Comics, at their best, are an integrated part of a wider cultural experience; no different from films or novels or music.

For me, comics have always been a something one shares–as well as part of a larger tapestry of daily experiences. Now…how about them Yankees?

 

Fuel

17 Nov
By Darryl Ayo

You read the same blogs day in and day out. You follow the same webcomics for months and years on end. You need an injection of fresh inspiration; a change in diet. Here’s a sizable meal of Tumblr blogs that might get your brain open.

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Save Comics.

25 Jul
By Darryl Ayo

Comics can never die, so they can’t be in need of saving. This article is specifically about the North American comic book paradigm, particularly as created for, and distributed by, the Direct Market. Before you read further, I have no qualifications. I am just a person with a laptop.

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Where in Hell

25 May
by Kevin Czap

Matt Groening Life in Hell

I’ll admit, I had another idea for a post but some last minute research toppled the whole premise. Looking through my bookshelf in a panic, I landed on my Life in Hell books. If nothing else, this post is intended to help keep Matt Groening’s old strip in our public consciousness. It’s easy to forget about this stuff, in the wake of the Simpson‘s franchisement, but Groening is a great comics artist first and foremost. If for no other reason, he should be celebrated forever for creating Akbar and Jeff. Continue reading 

Sketch

4 May
by Kevin Czap

sketch

So my Cube compatriots here were all talking about sketching and process over twitter sometime last week, and Darryl had the good idea of devoting time to write on the subject here. This idea caught me at a time when I’ve been doing some philosophizing about process and the whole idea of practice, so unfortunately that means you will have to bear with me.
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The Harold

27 Apr
by Kevin Czap

Kevin Czapiewski Spoilers

Note: This post is a continuation of an apparent series where I talk about story-telling methods and artistic practices that interest me, particularly in how they can be applied to comics.

“People say that life is just one damn thing after another. That is not true. It’s the same damn thing over and over again, and you’ve gotta keep your head loose enough to see it as it comes around again.” – Del Close

In high school I was a theater kid. This meant that my friends and I took theater classes every semester, we showed up on Saturday to build sets, we acted and sometimes sang in the school plays, we wrote and directed one-acts, things like that. It also meant that we did improv occasionally. Some of the most fun we had thoughout our high school careers was during improv practices and competitions (thanks in no small part to seanbaby.com).
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Influences and Process – Abstraction

28 Mar
by L. Nichols

I remember the first time I went to a museum and saw abstract art. I was 9 or 10 or 11 (somewhere around there) and we had driven 3 hours from my home town to go to Houston, TX to the museum. I was excited about the Renaissance art and also about the Impressionist art we saw there. They were easily relatable, their representation was obvious. And then I came across the more abstract stuff. I was confused. I didn’t really like them, per se…. but I was drawn to them nonetheless. Looking at them felt like I was fighting myself. I kind of laughed them off and ignored how they made me feel. But as I grew older, I found that I was still drawn to them. I began to understand a bit more about why an artist would choose that path. And I came to both appreciate it and be influenced by it.

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